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作 者:臧菊妍 Zang Juyan(School of Humanities,Shaanxi University of Technology,Hanzhong 723001 China)
出 处:《西安文理学院学报(社会科学版)》2022年第3期16-21,共6页Journal of Xi’an University(Social Sciences Edition)
基 金:陕西理工大学人文学院研究生创新基金项目:陆游词典型意象及典故研究(RWXYCX2201)。
摘 要:“风雨”意象在历代诗人或词人笔下多有驱使。陆游词中“风雨”意象呈现出多元性及立体化,具有其独特性。他的144首词作里,从早期宦游时“激荡之风雨”“恬淡之风雨”“哀怨之风雨”中的“风雨”共生到还乡后“淡隐之雨”“仙道之风”中“风”与“雨”的分离,陆游词的“风雨”意象经历了明显的演变过程,词人一生的心态变化也寄托于此种演变之中。造成此种“风雨”意象合与离的原因是多方面的,既与整个南宋政局的飘摇动荡、词人宦途的坎坷有关,也与词人对于仕与隐选择的纠结密不可分。The image of wind and rain is often driven by poets of past dynasties.The image of wind and rain in Lu Ci is pluralistic and three-dimensional,with the uniqueness of this one.Among his 144 Ci,the storm image of Lu Ci experienced an obvious evolution process,from the coexistence of the storm in the early official tour,the bleak storm and the sad storm to the separation of the wind and the rain in the light rain and the immortal wind after returning home,and the change of the poet’s mentality throughout his life.There are many reasons for the combination and separation of this storm image,which are not only related to the turbulent political situation of the whole Southern Song Dynasty,the frustrations of poets’official career,but also closely related to poets’entanglement in their choice of official position and seclusion.
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