非遗麽乜工艺与绘画设计技法的有机融合  

The Organic Integration of Intangible Cultural Heritage Momie Craft and Painting Design Techniques

作　　者：王千龙 潘秋红 梁丽霞 张长美 WANG Qianlong;PAN Qiuhong;LIANG Lixia;ZHANG Changmei(Baise University,Baise 533000,China)

机构地区：[1]百色学院,广西百色533000

出　　处：《鞋类工艺与设计》2022年第12期92-94,共3页SHOES TECHNOLOGY AND DESIGN

基　　金：2021年度大学生创新创业训练计划立项项目《百色非物质文化遗产麽乜溢彩工作室》(项目编号:202110609019)。

摘　　要：随着乡村振兴战略的提出和实施,乡村振兴发展上升到一个新的高度,其战略最终目的是实现农业强、农村美、农民富。民族传统文化作为民族经济发展的重要因素,应重新思考如何将民族传统文化与经济发展相结合,并且融入相应的美学元素,致使非遗文化能够实现可持续发展。麽乜作为广西壮族非物质文化遗产,给广西人民带来了不一样的文化享受,我们通过麽乜想让更多的人了解属于我们自己根深蒂固的民族文化,结合各类绘画理念和设计理念,实现民族自信、文化自信,最终实现乡村振兴可持续发展。With the proposal and implementation of the Rural Revitalization Strategy,the development of Rural Revitalization has been put to a new height.The ultimate goal of the strategy is to make agriculture strong,rural areas beautiful and farmers rich.As an important factor of national economic development,national traditional culture should rethink how to combine national traditional culture with economic development,and integrate corresponding aesthetic elements,so that intangible cultural heritage can achieve sustainable development.Research on how the traditional patterns of Zhuang nationality can be a new direction of economic development.As the intangible cultural heritage of Guangxi Zhuang nationality,Momie brings different cultural enjoyment to people in Guangxi.Through Momie,we want to let more people understand our deep-rooted great country culture,combine various painting concepts and design concepts,so as to achieve our national self-confidence and cultural self-confidence,and realize the strategy of Rural Revitalization.

关 键 词：麽乜 非物质文化遗产 文创开发 油画 中国画 设计理念 

分 类 号：J528[艺术—艺术设计]