尼采哲学中的人物形象叙事  

The Narrative through Figures in Nietzsche’s Philosophy

作　　者：高丽燕 Gao Liyan

机构地区：[1]湖州学院

出　　处：《理论界》2022年第8期87-93,共7页Theory Horizon

摘　　要：尼采的反传统性不仅体现在他颠覆性的思想之中,而且体现在他的思想建构过程之中。与传统哲学家通过抽象逻辑思辨阐发哲学思想不同,尼采则是通过形象的叙事来展现他的思想。《悲剧的诞生》作为尼采哲思的起点,便是通过酒神和日神两个人物形象的叙事来表现的。而酒神形象作为其中的主角,在尼采的后期哲学中衍生了一系列酒神特质的形象。在勾勒人物形象的基础上,尼采进一步在情节发展中生动地展开他的哲学叙事。Nietzsche’s anti-tradition is not only reflected in his subversive thoughts,but also in his methodological innovation.Different from the most traditional philosophers,Nietzsche doesn’t construct his philosophy through abstract logic,but uses figural narrative.The Birth of Tragedy,as the starting point of Nietzsche’s philosophy,is constructed by the figures of Dionysus and Apollo.As the protagonist,the image of Dionysus derived a series of Dionysian images in Nietzsche’s later philosophy.On the basis of sketching the characters,Nietzsche further vividly unfolds his philosophical narrative in the plot development.

关 键 词：尼采 哲学叙事 人物形象 酒神 情节化 

分 类 号：I106[文学—世界文学]