中国木版年画中的蚕俗事象研究  

A Study on Sericulture Images in Chinese Woodblock New Year Pictures

作　　者：王海娜 Wang Haina

机构地区：[1]佛山市博物馆

出　　处：《艺术与民俗》2022年第3期26-36,共11页Journal of Arts and Folklore

摘　　要：中国木版年画作为传统的民间艺术形式,形成于宋代,发展繁荣于明清,清中晚期达到鼎盛。木版年画题材多取自世俗生活,在“农桑为立国之本”的农业社会中,山东杨家埠、苏州桃花坞、上海小校场、广东佛山、河北武强、山东高密等年画产地的画师创作和生产了大量有关蚕神信仰、蚕桑生产、蚕猫逼鼠、桑林故事等题材的木版年画,既反映了不同地区的蚕桑生产状况和蚕农对蚕业丰收的美好祈盼,也体现了中国木版年画的地域特色、风格特征和文化内涵。As a traditional folk art form,Chinese woodblock New Year pictures appeared in the Song dynasty,flourished during the Ming and Qing dynasties,and peaked in the mid to late Qing dynasty.The motifs of woodblock New Year pictures were mostly taken from people’s secular life.In an agricultural society where sericulture was considered a foundation of the state,a large number of woodblock New Year pictures were created by painters from production centers,such as Yangjiabu in Shandong,Taohuawu in Suzhou,Xiaojiaochang in Shanghai,Foshan in Guangdong,Wuqiang in Hebei,Gaomi in Shandong.Popular motifs include the silkworm god,sericulture production,silkworm cats chasing off mice,and mulberry grove stories.These New Year pictures reflected the sericulture production status in different regions and silk makers’ wishes for a good harvest.At the same time,they also embodied the regional and stylistic characteristics and cultural connotations of Chinese woodblock New Year pictures.

关 键 词：木版年画 蚕神 蚕猫 蚕桑生产 桑林 

分 类 号：K890[历史地理—民俗学]