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作 者:张健健[1] 徐宏 ZHANG Jianjian;XU Hong(College of Art&Design,Nanjing Tech University,Nanjing 210009,China)
出 处:《工业工程设计》2022年第5期1-5,14,I0003,I0004,共8页INDUSTRIAL&ENGINEERING DESIGN
基 金:江苏省教育厅高校哲学社会科学研究重大项目(2021SJZDA108)。
摘 要:思维方式作为文化结构的内核,构成不同时代人们文化创造活动的内在依据。中国古典园林作为中国传统文化的重要组成部分,也凝聚了多种中国传统思维方式的特征。从整体性、辩证性和意象性三种特征出发,分析了中国古典园林创作中传统思维方式的体现。整体性思维奠定了中国古典园林“天人合一”的创作原则,并且成为各种造园要素之间相互结合的逻辑基础;辩证性思维通过“阴阳相生”的理念巧妙地处理了中国古典园林创作中存在的各种矛盾关系;意象性思维将中国古典园林推向更高的审美境界。从传统思维方式角度研究古典园林创作,有助于更好地理解古典园林创作的逻辑依据,从而在当代更好地继承和发扬传统园林设计的精髓。As the core of cultural structure,thinking mode constitutes the internal basis of people's cultural creation activities in different times.As an important part of Chinese traditional culture,Chinese classical garden embodies many characteristics of Chinese traditional thinking.Based on the three characteristics,namely integrity,dialectics,and imagery,the embodiment of the traditional thinking characteristics in the creation of Chinese classical gardens is analyzed.Integrated thinking establishes the creation principle of"the unity of man and nature"of Chinese classical garden,and becomes the logical foundation of the combination of various elements of garden.Dialectical thinking deals with a series of contradictory relations in the creation of Chinese classical garden through the idea of"Yin and Yang coexisting".Imagery thinking pushes Chinese classical garden to a higher aesthetic realm.Studying the creation of classical garden from the perspective of traditional thinking mode will contribute to understand the logical basis of the creation of classical garden deeply,and inherit the essence of traditional garden design in the contemporary era.
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