大陆新武侠作家早期对金庸的“创造性反叛”  

The “Creative Rebellion” Against Jin Yong by New Mainland Martial Arts Writers

作　　者：罗维超 LUO Weichao(School of Humanities,Shaanxi University of Science and Technology,Hanzhong Shaanxi 723001,China)

机构地区：[1]陕西理工大学文学院,陕西汉中723001

出　　处：《重庆文理学院学报（社会科学版）》2022年第5期88-99,共12页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

摘　　要：根据哈罗德·布鲁姆的“影响的焦虑”理论,首先大陆新武侠作家在早期创作中运用“克里纳门”“苔瑟拉”与“阿斯克西斯”等循序渐进的“创造性反叛”方式,对前驱金庸作品的篇幅、文体及“江湖”构建方面进行“创造性偏移”,对女性武侠、“反武侠”及文化吸收方面进行“对偶式续完”;然后通过回归传统基础上的“净化式升华”完成对前驱“影响的焦虑”的克服;最后在以反叛的勇气和创新的意识创造出具有独创性作品的同时,带动下一阶段的大陆新武侠创作,为武侠小说这一通俗文体注入属于时代与文化的新活力。According to Harold Bloom’s “anxiety of influence” theory, first of all, the new martial arts writers in China’s mainland used “creative rebellion” methods such as “Krinamen”, “Tesera” and “Assisi” in their early works to “creatively shift” the length, style and “Jianghu” construction of the predecessor Jin Yong’s works, and to make“dual continuation” of female martial arts, “anti-martial arts” and cultural absorption;then, the “purification sublimation” completes the overcoming of the precursor “anxiety of influence” based on the return to tradition;finally,while creating original works with the courage of rebellion and the consciousness of innovation, it will drive the new martial arts creation in the mainland in the next stage and inject new vitality of the times and culture into the popular style of martial arts novels.

关 键 词：金庸 大陆新武侠 影响的焦虑 创造性反叛 

分 类 号：I206.7[文学—中国文学]