谈谈京二胡在“张派”唱腔中的伴奏特点——以京剧曲目《诗文会》为例  

On the Accompaniment Characteristics of Jing Erhu in "Zhang School" Singing——Take the Peking Opera Repertoire "Shiwenhui" as An Example

作　　者：冯鐀庆 Feng Guiqing(Tianjin Art Vocational College,Tianjin 300181)

机构地区：[1]天津艺术职业学院,天津300181

出　　处：《天津职业院校联合学报》2022年第5期113-118,共6页Journal of Tianjin Vocational Institutes

摘　　要：文章分析了京剧乐器京二胡基本的演奏技巧,根据张君秋大师为代表的“张派”艺术伴奏特点,结合剧情和人物感情变化,着重分析、论述了京二胡在“张派”剧目《诗文会》的伴奏中,四平调、西皮流水、西皮二六等几种板式唱腔中具体的演奏方法所体现出的演唱特色和京二胡的演奏特点。The paper analyzed the basic performance skills of the Peking Opera instrument, the Jing Erhu. According to the characteristics of the "Zhang School" artistic accompaniment represented by Master Zhang Junqiu, combining the plot and the emotional changes of the characters, this paper focused on analyzing and expounding the singing characteristics and the performance characteristics of Jing Erhu in the specific performance methods of the Siping Tune, Xipi Liushui, Xipi Erliu and others in the accompaniment of the "Zhang School" repertoire "Meeting by Poem".

关 键 词：“张派”伴奏 京二胡 长“打音” 过门 “垫头” 

分 类 号：J821[艺术—戏剧戏曲]