魏晋六朝青瓷文房用具设计中的动物形象探研  

Research on Animal Images in the Design of Celadon Calligraphy Stationey in Wei-Jin Period and Six Dynasties

作　　者：李小汾[1] LI Xiaofen(School of Art and Design,Zhejiang Sci-Tech University,Hangzhou,Zhejiang,310018)

机构地区：[1]浙江理工大学艺术与设计学院,浙江杭州310018

出　　处：《艺术生活》2022年第4期17-23,共7页Art & Life

摘　　要：魏晋六朝时期是中国历史上一个社会政治、思想意识大动荡的时期,同时也是设计史上一个重要的转型时期。本文指出魏晋六朝时期以砚台、水盂、水注为代表的青瓷文房用具设计多以动物形象作为整体或局部造型及装饰的历史事实,并试图从社会史角度展开设计文化和设计美学的探讨,揭示出魏晋六朝时期文房器具中动物形象的多重时代文化审美根源。The period of Wei-Jin period and Six Dynasties was a period of great social, political and ideological turmoil in Chinese history, and it was also an important transition period in the history of design. This paper points out the historical fact that the design of celadon calligraphy stationery represented by inkstones, water bowls and water fountains during the Wei-Jin and Six Dynasties mostly used animal images as the overall or partial shape and decoration, and attempts to discuss the design culture and design aesthetics from the perspective of social history, revealing the multiple cultural aesthetic roots of the animal images in the study utensils of the Wei-Jin period and Six Dynasties.

关 键 词：魏晋南朝 青瓷 文房用具 动物形象 观物取象 祥瑞文化 

分 类 号：J522.2[艺术—艺术设计]