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作 者:车琳 Che Lin(Foreign Literature Research Institute,Beijing Foreign Studies University,Beijing,China)
机构地区:[1]北京外国语大学外国文学研究所,北京100089
出 处:《外国文学》2022年第5期13-25,共13页Foreign Literature
基 金:国家社会科学基金重大项目“多卷本《中国文化域外传播百年史》”(17ZDA195)。
摘 要:法国作家安德烈·马尔罗在其早期书信体作品《西方的诱惑》中以一个法国青年和一个中国青年的交互视角对东西方文化和思想进行双向审视和批判,以他者为镜像实现自我认知和自我检视,表达了第一次世界大战后欧洲知识分子的文明危机意识。马尔罗以写作、艺术和行动作为摆脱个体危机的方式,同时尝试在东方传统思想中探求解决西方人信仰危机的方法,从而启示同样处于百年未有之世界变局中的今人以对话超越对立、以交流互鉴抑制文明冲突。In his early epistolary novel The Temptation of the West(1926), the French writer André Malraux examined and criticized the Eastern and Western cultures and thoughts from the interactive perspective of a French youth and a Chinese youth, realized self-awareness and self-examination with the other as a mirror image, and expressed the consciousness of civilization crisis of European intellectuals after the First World War.Malraux took writing, art and action as a way to get rid of the individual crisis. At the same time, he tried to find a way to solve the Western belief crisis in the oriental traditional thought. His action is enlightening for today’s people who are also in a turbulent world situation and presents an example to transcend confrontation through dialogue and curb the conflict of civilizations through exchange and mutual learning.
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