布莱希特戏剧中美学观与政治观的互动——以《索福克勒斯的安提戈涅》为例  

The Interaction of Aesthetic and Political Views in Brecht’s Plays: A Case Study of The Antigone of Sophocles

作　　者：刘胡敏[1] 周雅 LIU Hu-min;ZHOU Ya(Guangdong University of Foreign Studies,Guangdong Guangzhou 510420)

机构地区：[1]广东外语外贸大学英文学院,广东广州510420

出　　处：《广东技术师范大学学报》2022年第4期61-67,共7页Journal of Guangdong Polytechnic Normal University

基　　金：2021年广东省研究生教育创新计划项目“以教促思、以思促研—创新型科研能力为导向的英美文学人才培养模式探索”(项目编号:2021JGXM044);广东外语外贸大学研究生科研创新项目“布莱希特戏剧《索福克勒斯的安提戈涅》中的战争观与伦理研究”(项目编号:21GWCXXM-014)。

摘　　要：布莱希特晚期的戏剧实践主要围绕古典戏剧改编进行,《索福克勒斯的安提戈涅》是他回归欧洲后的第一部作品,展现了布莱希特美学观与政治观的深度融合和对话。布莱希特在改编中对古希腊传统戏剧美学观进行了反思,剔除原著中根深蒂固的命运观,转而强调悲剧的社会性。作为一名深受马克思主义影响的现代戏剧家,布莱希特将自己的政治观念和对现实社会的批判融入其中。晚期使得布莱希特声名大噪的“陌生化理论”也在戏剧表演实践中一一展现。经由“陌生化”的中介,布莱希特的美学观念成功与现实政治建立对话。Brecht’s late theatrical practice centers on adaptations of classical plays.The Antigone of Sophocles,his first work after his return to Europe,demonstrates the deep integration and dialogue between Brecht’s aesthetic and political outlooks.In his adaptation,Brecht reflects on the traditional aesthetic view of ancient Greek drama,eliminating the deep-rooted view of fate in the original and instead emphasizing the social nature of tragedy.Secondly,as a modern dramatist deeply influenced by Marxism,Brecht also incorporates his own political ideas and criticism of the real society.The "Alienation Theory" that made Brecht famous in the late period is also shown in the theatrical performance practice.Through the mediation of "alienation",Brecht’s aesthetic concept successfully establishes a dialogue with realpolitik.

关 键 词：布莱希特 安提戈涅 美学观 政治观 陌生化 

分 类 号：I106.3[文学—世界文学]