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作 者:贾伯男 孔义龙[1] Jia Boman;Kong Yilong
出 处:《音乐文化研究》2022年第3期82-91,M0004,共11页Music Culture Studies
基 金:2021年国家哲学社会科学基金艺术学项目“中国新石器时代晚期音乐文化研究”(项目编号:21BD057)阶段性成果。
摘 要:战国时期燕国乐器目前仅在河北易县燕下都遗址16号、8号和30号墓出土。而编磬的数量在燕下都出土乐器中占据了一多半。燕国“磬乐”的繁荣从战国早期一直持续到战国晚期,并几乎达到了各国不能企及的高度。一方面,燕国“磬乐”在礼乐衰败的战国时期一枝独秀。另一方面,受到社会环境的影响,燕国“磬乐”从早期到晚期也呈衰败趋势。但在规范性和音响性能、材质衰微的同时,其编列规模变大,且出现了繁复的纹饰。可以看出燕国上层社会对于磬乐的喜爱和在礼乐制度中对于编磬的重视从未改变。During the Warring States period,the musical instruments of the State of Yan were only unearthed from tombs No.16,8and 30at the Yanxiadu site in Yixian County,Hebei Province.The number of chimes accounted for more than half of the musical instruments unearthed in Yanxiadu.The prosperity of chime music in Yan State lasted from the early to the late Warring States period,and it developed to a high level which is far beyond that of other countries.While the standardization,acoustic feature,and materials of the stone chimes declined,the scale of its arrangement became larger,and complex decoration appeared.It indicates the upper class of Yan State’s love of chime music and the importance of stone chimes in the ritual music system which has not been changed.
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