宋代祥瑞灾异思想与雅乐建设  

Auspicious Sign and Calamity Thought and Elegant Music Construction in the Song Dynasty

作　　者：刘茜 Liu Qian(College of Liberal Arts,Jinan University,Guangzhou 510632,China)

机构地区：[1]暨南大学文学院,广州510632

出　　处：《学术交流》2022年第8期160-169,192,共11页Academic Exchange

基　　金：国家社会科学基金项目“宋代《诗》乐文献整理与研究”(17CZW014)。

摘　　要：宋代祥瑞灾异思想受汉代阴阳五行与“谴告”思想的深刻影响。宋人认为祥瑞灾异的产生是由阴阳五行的和与不和引起的。作为天人关系的主体,君王的行为也对祥瑞灾异现象有着深刻影响。由于“气”学思想的发展,宋人认为具有物质属性的“气”乃为抽象的阴阳五行与人事之间的媒介,祥瑞灾异思想也与之发生密切关联。宋代初年,雅乐开始复兴,徽宗时期,臻于鼎盛。而宋代祥瑞灾异思想也对雅乐的发展产生了深刻影响。宋人认为雅乐因具有引导“和气”的功用,故对祥瑞灾异也会产生一定影响。不仅如此,宋代雅乐在制度建设、雅乐乐曲与乐章创作等方面也受到祥瑞灾异思想的深刻影响。The thought of auspicious omens and calamity in the Song Dynasty was deeply influenced by the thought of Yin Yang and Five Elements and the thought of " condemnation" in the Han Dynasty. The Song people believed that the auspicious omens and disasters were caused by the harmony and discord of the Yin,Yang and five elements. As the main body of the relationship between heaven and man,the behavior of the monarch also has a profound impact on the auspicious omens and disasters. Due to the development of the theory of " Qi",the Song people believed that the " Qi" with material attributes was the medium between the abstract Yin Yang and five elements and people,and the auspicious and calamitous thought was also closely related to it. In the early Song Dynasty,elegant music began to revive,and reached its peak during the Huizong period. The thought of auspicious omens and disasters in the Song Dynasty also had a profound impact on the development of elegant music. The people of Song Dynasty believed that elegant music,because of its function of guiding " harmony",would also have an impact on auspicious omens and disasters. Not only that,the elegant music in the Song Dynasty was also deeply influenced by the thought of auspicious omen and disaster in the aspects of system construction and the creation of elegant music and movement.

关 键 词：宋代 祥瑞灾异 雅乐 

分 类 号：I206.44[文学—中国文学]