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机构地区:[1]同济大学建筑与城市规划学院高密度人居环境生态与节能教育部重点实验室 [2]重庆交通大学
出 处:《建筑与文化》2022年第10期230-232,共3页Architecture & Culture
基 金:国家自然科学基金“华东滨海地区抗风园林树种的选择机制研究:以上海为例”(项目编号:32071824);上海市绿化指导站合作项目“上海城市绿化树种结构优化研究”(项目编号:wh0010020220683);上海市绿化指导站合作项目“应对台风侵袭的上海市行道树应用评价与优化策略研究”(项目编号:wh0010020220684)。
摘 要:明末江南园林的构成元素——山、水、植物、园路等都在不断地演化过程中,今日的风貌也是动态的。园林“尚奇”的审美风格也逐渐盛行融合其中,表现为与前中期“健康雅正”风格相反,体现出对“丑、拙、狂、怪”等风格的追求。即使如此,“尚奇”在不同地域也有不同的表现特点。文章以晚明造园出现的“尚奇”审美风格为研究对象,选择两座典型的城市——苏州和南京进行比较。通过对文献和图像的梳理,比较两地“尚奇”在园林要素上的具体表现方式的差异,探析“尚奇”审美情趣差异形成的深层原因,进一步增进我们对江南园林的审美风格与晚明社会文化背景互动机制的认识。In the late Ming Dynasty,the constituent elements of gardens in South China,such as mountains,water,planting and garden road system,were constantly evolving,and today’s style was also changing dynamically.The aesthetic style of"Shangqi"in the garden is gradually popular and integrated,which is opposite to the"healthy and elegant"style in the early and middle stages,reflecting the pursuit of"ugly,clumsy,crazy and strange"styles.Even so,"Shangqi"has different characteristics in different regions.Taking the"Shangqi"aesthetic style of gardening in the late Ming Dynasty as the research object,and selects two typical cities:Suzhou and Nanjing for comparison.Through the combing of documents and images,the differences in the specific expression of"Shangqi"in garden elements between the two cities was compared,the deep reasons behind the formation of"Shangqi"aesthetic taste differences was analyzed.So as to further our understanding of the interaction mechanism between the aesthetic style of gardens in South China with the social and cultural background in late Ming Dynasty.
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