中国美学史写作的新路--以中西比较为基点的反思与探索  

Writing History of Chinese Aesthetics:Reflecting upon and Freshly Approaching from Comparison between China and West

作　　者：张法 ZHANG Fa

机构地区：[1]四川大学文学与新闻学院,成都610065

出　　处：《南京大学学报（哲学．人文科学．社会科学）》2022年第4期104-113,163,共11页Journal of Nanjing University(Philosophy,Humanities and Social Sciences)

摘　　要：中国美学通史的写作,自20世纪80年代以来,呈现为四种类型:教材型、范畴型、关联型、跨越型。前两型主要与中国文化与西方古代-近代的思维模式之互动紧密相关,后两型与中国文化与西方现代-后现代的思维模式有所关联。但这四种类型,都是以范畴为方式和以艺术为中心写成的,这与中国美学史的原貌有所距离。中国美学史写作的新路,应当超越范畴方式和艺术中心,从七个方面展开,以呈现原貌,并以自己的特色参与世界美学的重建。Since 1980s,the writing of the ancient history of Chinese aesthetics has offered four types:those of textbooks,catetories,correletions and interdicsiplines.The first two types are closely related to the interaction between Chinese culture and western ancient-modern thinking mode,while the second two types are related to Chinese culture and western modern-postmodern thinking mode.However,these four types are all presented categorically and artistically,as is distant from the reality of Chinese aesthetic history.The new writing of Chinese aesthetic history should go beyond the old way,and start from seven points to delineate the original historical appearance,so as to have its part in the reconstruction of world aesthetics with its own characteristics.

关 键 词：美学史写作 中西比较 中国思想模式 中国文化整体 

分 类 号：B83-092[哲学宗教—美学]