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作 者:唐溪若 TANG Xiruo(College of Culture and Museum,Sichuan Vocational College of Cultural Industry,Chengdu Sichuan,610213,China)
机构地区:[1]四川文化产业职业学院文博学院,四川成都610213
出 处:《文化创新比较研究》2022年第27期81-84,共4页Comparative Study of Cultural Innovation
基 金:四川省南充市社会科学研究“十三五”规划2019年度青年科研项目(项目编号:NC2019C059)的阶段性研究成果。
摘 要:川北非遗戏剧艺术是指具有川北风情的戏剧类非遗艺术的总称,其中以川北大木偶、川北灯戏、川北王皮影(也被称为川北非遗三朵金花)为代表。该文针对川北非遗戏剧的现状,从剧目的更新、现代元素的融合、中外合作研究、发展文化旅游产业、利用新媒体传播展示5个方面入手,分析和研究川北非遗戏剧艺术的传承创新发展,具有重要的理论和实践意义。Northern Sichuan intangible cultural heritage drama art refers to the general term of drama intangible cultural heritage art with northern Sichuan customs,which is represented by northern Sichuan big puppet,northern Sichuan lantern play and northern Sichuan Wang shadow play(also known as the three golden flowers of northern Sichuan intangible cultural heritage).In view of the current situation of the intangible cultural heritage drama in northern Sichuan,this paper has important theoretical and practical significance to analyze and study the inheritance,innovation and development of the northern Sichuan intangible cultural heritage drama art from five aspects:the renewal of the repertoire,the integration with modern elements,Sino-foreign cooperative research,the development of cultural tourism industry,and the use of new media communication and display.
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