再论梁武帝不认同四声说之原因  

A Further Study on the Causes of Emperor Liangwu′s Disagreeing to the Theory of Four Tones

作　　者：戚林聪 赵厚均[1] QI Lincong;ZHAO Houjun(Department of Chinese Language and Literature,East China Normal University,Shanghai 200241,China)

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《江苏科技大学学报（社会科学版）》2022年第3期56-62,共7页Journal of Jiangsu University of Science and Technology(Social Science Edition)

基　　金：国家社科基金重大项目“古代文论研究文献辑录、学术史考察及数据库建设(1911-1949)”(18ZDA242)。

摘　　要：齐梁时期,沈约等人提倡四声说,这是诗歌史上的重要进程。但与沈约相识已久的梁武帝萧衍对四声说却并不认同。究其原因,一是出于对提出者沈约的反感,沈约的自大态度令武帝心怀不悦;二是四声说自身体系并不完备,且作为吟诵诗歌的学说,其与武帝崇尚音乐的诗歌喜好相左;三是作为其来源之一的佛经转读并不为武帝所接纳。诗歌越来越讲求声律的趋势并未改变,但梁武帝以一己之力为梁朝诗坛增添了曲折与变化。In Qi-Liang Dynasty,Shen Yue and others advocated the theory of four tones,which constitutes an important process for Chinese poetry history.But Emperor Liangwu,who got acquainted with Shen Yue for a long time did not agree to this theory.One reason is that Shen Yue′s arrogant attitude made Emperor Wu unhappy.Second,the theory of four tones is not complete,and as a theory of reciting poetry,it is different from Emperor Wu′s poetry preference of advocating music.Third,one of its sources is the reading of Buddhist scriptures,which is not accepted by Emperor Wu.The trend of more and more emphasis on the rhythm of poetry has not changed,but Emperor Wu of the Liang Dynasty added twists and varieties to the poetry circle of the Liang Dynasty.

关 键 词：四声 梁武帝 沈约 佛教 

分 类 号：I209[文学—中国文学]