在比较莫奈与弗朗格的《日出·印象》中看法国现代艺术的变迁  

Research on the Changes in French Modern Art in Comparing Monet and Fromanger’s Impression Sunrise

作　　者：严晓潼 YAN Xiaotong(Franco-Chinese Institute,Renmin University of China,Suzhou Jiangsu,215000,China)

机构地区：[1]中国人民大学中法学院,江苏苏州215000

出　　处：《文化创新比较研究》2022年第9期26-29,共4页Comparative Study of Cultural Innovation

摘　　要：2020年末,莫奈的《日出·印象》这幅鼎鼎大名的有着区分西方古典艺术和现代艺术划时代意义的作品自问世以来首次来到中国展出。与其同时展出的还有法国视觉艺术家热拉尔·弗朗格(又译:热拉尔·佛罗芒热)新近创作的《日出·印象2019》。从这两幅诞生于不同时期的作品中,我们不仅看到两位艺术家不同艺术思潮下的艺术人生,也在两幅作品的用色、构图、意蕴差异中看到了法国现代艺术的变迁:颜色自由化,不再为了追求真实的描绘而存在;构图符号化,艺术唯一性削弱的同时象征性得到强化;绘画观念化,艺术家不再只满足于视觉美,画面构图与色彩的和谐有时甚至让位于画家意图的表达。At the end of 2020,Monet’s Impression Sunrise,a well-known work with epoch-making significance that distinguishes western classical art from modern art,was exhibited in China for the first time since its inception.At the same time,Impression Sunrise 2019,newly created by French visual artist Gérard Fromanger,had also been exhibited.From these two works born in different periods,we not only see the artistic life of the two artists under different artistic trends,but also see the changes of French modern art in the difference in color,composition and meaning between these two works:the liberalization of colors,no longer exists for the pursuit of true depiction;the symbolization of composition,the weakening of the uniqueness of art and the strengthening of symbolism;the conceptualization of painting,the artist is no longer satisfied with visual beauty,and the harmony of composition and color sometimes even gave way to the expression of the painter’s intent.

关 键 词：克劳德·莫奈 热拉尔·弗朗格 《日出·印象》 法国现代艺术 

分 类 号：G642[文化科学—高等教育学]