《过客》的戏剧体探究  

A Study of the Dramatic Style in Passers-By

作　　者：董晚雨 DONG Wanyu(School of Literature,Soochow University,Suzhou Jiangsu,215000,China)

机构地区：[1]苏州大学文学院,江苏苏州215000

出　　处：《文化创新比较研究》2022年第8期17-20,共4页Comparative Study of Cultural Innovation

摘　　要：《野草》是一部充满象征主义的散文诗集,23篇散文诗中唯有《过客》一篇例外地采用了戏剧体。从对话形式和意向系统两方面探究鲁迅先生选择戏剧形式的原因,以旁观者的立场分析鲁迅先生关于希望与绝望的矛盾,以此总结《过客》的戏剧形式运用与《野草》中死亡意识发展变化的因果关系,并借此理解《过客》的深层精神内涵以及《野草》的思想高峰。Wild Grass is a collection of prose poems which is full of symbolism. Among the 23 prose poems, only Passers-By adopts the dramatic style. This paper explores the reason why Lu Xun chooses dramatic from the form of the dialogues and the intentional system, analyzes Lu Xun’s contradiction of hope and despair on the position of a bystander. Besides, the application of the forms of drama in Passers-By, and the cause and effect of death consciousness in Wild Grass are summarized to understand the profound spiritual connotation of Passers-By and the deepth of thoughts in Wild Grass.

关 键 词：《过客》 对话 意向 

分 类 号：G642[文化科学—高等教育学]