新主流电影中的海洋叙事研究  

A Study of Ocean Narrative in New Mainstream Films

作　　者：黄诗娴 孙琦蓉 HUANG Shi-xian;SUN Qi-rong(College of Marine Culture and Law,Jimei University,Xiamen 361021,China)

机构地区：[1]集美大学海洋文化与法律学院,福建厦门361021

出　　处：《集美大学学报（哲学社会科学版）》2022年第5期26-32,共7页Journal of Jimei University：Philosophy and Social Sciences

摘　　要：《战狼Ⅱ》《红海行动》《紧急救援》《守岛人》等新主流电影将主旋律意识的传达与海洋意象相结合,通过海上撤侨彰显国家形象、海上作战锻造抗争精神、海上救援托举生命防线、时代楷模坚守祖国海疆等不同维度,探索中国新主流电影中的海洋叙事,凸显中国立场和中国视角,构建新主流电影的海洋影像系统。海洋在当前新主流电影中一方面传达了维护国家形象、彰显大国风范的主旋律精神,另一方面则以危险、神秘、恐惧等意象衬托并塑造无私奉献、英勇爱国的时代楷模形象。New mainstream films such as Wolf WarriorsⅡ,Operation Red Sea,Emergency Rescue and Island Keeper combine the transmission of the mainstream values consciousness with the ocean image.Through the different dimensions such as withdrawing overseas Chinese at sea to highlight the national image,forging the spirit of resistance through maritime operations,supporting the lifeline through maritime rescue,and standing fast on the motherland's sea border by the models of the times,these films explore the ocean narrative in China's new mainstream films,stress China's position and perspective,and construct an ocean image system.In the current new mainstream films,ocean conveys the mainstream values of maintaining the national image and demonstrating the style of a great country.Besides,it sets off and shapes the era model of selfless dedication and heroic patriotism with such images as danger,mystery and fear.

关 键 词：新主流电影 海洋叙事 主旋律 蓝色文明 

分 类 号：J901[艺术—电影电视艺术]