论李煜词中暮夜书写的作用及其成因  

A Study of the Effect and Causes of Writing on Night in Li Yu’s Ci poems

作　　者：谷文彬 秦凡森 GU Wenbin;QIN Fansen(Literature and Journalism School,Xiangtan University,Xiangtan 411105,China)

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《邵阳学院学报（社会科学版）》2022年第5期68-72,共5页Journal of Shaoyang University:Social Science Edition

基　　金：湖南省哲学社会科学基金青年项目“唐人小说中洞庭湖想象与书写研究”(17YBQ109)。

摘　　要：李煜词中涉及暮夜书写的作品数量颇丰,他主要借助夜、月等自然意象和梦这一非自然意象来形成词作的整体意境和艺术特色。李煜对暮夜的偏爱,是多种因素共同作用的结果:外界环境的骤变、阶下囚的困境使他把目光转向夜晚、转向自身,并将自己的所思、所感融入作品之中;而他的敏感与多情,也催生了他对暮夜独特的审美感知。总之,对暮夜的关注,提升了李煜词作的感染力,使其营造出一个绝妙的暮夜世界。There are lots of night writings in Li Yu’s ci poems. He mainly relies on natural imagery such as the night, the moon and the unnatural imagery of dreams to achieve the overall mood and artistic style of his lyrics. Li Yu’s preference for night was the result of a combination of various factors. The sharp change of external environment and the plight as a prisoner led him to turn his attention to the night and himself. As a result, he integrates his own ideology into his work. His sensitivity and sentimentality also draw his uniquely aesthetic need for the night. In short, with his attention to the night, Li Yu’s ci poems are so infectious as to create a marvelous world of night.

关 键 词：李煜 暮夜书写 暮夜意象 形成原因 

分 类 号：I207.23[文学—中国文学] I226.8