不快乐的主妇们——角田光代小说的女性主义叙事  

Unhappy Housewives: Feminist Narration in Kakuta’s Novels

作　　者：童晓薇[1] TONG Xiao-wei(East Asia Research Center,School of Foreign Languages,Shenzhen University,Shenzhen 518060,Guangdong Province,China)

机构地区：[1]深圳大学外国语学院东亚研究中心,广东深圳518060

出　　处：《妇女研究论丛》2022年第5期97-106,共10页Journal of Chinese Women＇s Studies

摘　　要：角田光代的主妇小说通过具有类型化特征的人物塑造,在消失的娘家、规训的婆家、不可靠的同性友情的叙事建构中展现了“男主外,女主内”思想依然深入人心的日本社会中“不快乐的主妇”形象。小说把“母乳神话”“父职缺失”“孩子中心主义”“母女关系”等女性主义普遍关注的问题交织于文本中,把主妇们从怀孕、生育到子女教育的“母职”承担过程中遭遇的心理危机层层剥开,审视她们痛苦焦虑甚至走向犯罪的深层次原因,探讨了自我意识建立对女性的重要性以及女性与世界的关系,用文学的形式对女性社会学做了有力的呼应。Through the characterization with typological characteristics, Kakuta’s housewife novels describe the images of “unhappy housewives” in the Japanese society where the idea of “men outside and women inside” is still deeply rooted, in the narrative construction made of the invisible natal family, the demanding family by marriage and the capricious girls’ friendship.Her novels interweave the “myth of breast milk”,“lack of paternity”,“child centrism”,“mother-daughter relationship” and other issues of common concern to feminism in the text.They reveal the psychological crisis encountered by housewives in the “Motherhood” process from pregnancy, childbirth to children’s education.They examine the origin of women’s pain, anxiety and even crime, discuss the importance of establishing self-consciousness to them, and study the relationship between women and this world.Kakuta strongly echoes female sociology in the form of literature.

关 键 词：角田光代 主妇 女性主义叙事 

分 类 号：I106.4[文学—世界文学]