明代唐诗选本中孟浩然诗的接受起伏及其原因  

Reception of Meng Haoran’s Poems in Anthology of the Ming Dynasty and Its Reasons

作　　者：雷正娟 LEI Zheng-juan(College of Literature,Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学文学院,重庆401331

出　　处：《湖北文理学院学报》2022年第10期27-32,共6页Journal of Hubei University of Arts and Science

摘　　要：明前期,孟浩然诗“韵高”“兴致清远”符合选家审美理想,选本录孟诗颇多,接受度较高。明中期,前后七子看重诗歌现实精神与盛唐高迈雄壮一格,孟诗在重要选本中接受度降低。明后期,孟诗符合竟陵派的审美旨趣,《唐诗归》等选本录孟诗增多,孟诗接受度回升。孟诗在明前期接受度高与崇尚“和而正”思潮相关;中期孟诗接受度降低,与推崇格高调逸有关;明后期,诗歌审美多元,孟诗接受度再度回升。孟浩然诗歌在明代唐诗选本中的接受情况,正是孟浩然诗歌审美特征是否契合明代社会思潮、文学主张等的结果。In the early Ming Dynasty,Meng Haoran’s poems were in line with the aesthetic ideal of that time,and were pitched on by certain anthology,which were highly accepted.In the mid-Ming Dynasty,the acceptance level had been degrading.In the late Ming Dynasty,Meng’s poetry conformed to the aesthetic interests of the Jingling School,and anthologies such as Tang Shi Gui increased the selected number of Meng Haoran’s poems,and the acceptance level rebounded.The high acceptance of Meng poetry in the early Ming Dynasty was related to the advocacy of“harmony and righteousness”;the lower acceptance of Meng poetry in the middle period was related to the advocacy of high-profile and elegant style;in the late Ming Dynasty,the aesthetics of poetry was diverse,and the acceptance of Meng poetry rose again.The acceptance level of Meng Haoran’s poems is closely related to social thought,literary view of the Ming Dynasty.

关 键 词：明代 唐诗 孟浩然 山水田园诗派 

分 类 号：I207.22[文学—中国文学]