语义无效——20世纪90年代诗歌表意方式之一  

Semantic Invalidation:One of The Ideographic Methods of Poetry in the 1990s

作　　者：范云晶 Fan Yunjing

机构地区：[1]内蒙古大学文学与新闻传播学院

出　　处：《上海文化》2022年第10期54-61,75,共9页Shanghai Culture

基　　金：教育部人文社会科学研究规划基金项目“20世纪90年代诗歌的语言策略与表意方式研究”(项目号:19YJA751009)的阶段性研究成果。

摘　　要：语义无效是20世纪90年代诗歌的表意方式之一。基于对语言更为本质化的认知,诗人们热衷于成诗过程的呈示,强调思维与诗意的“生成性”,这样做的结果是“词”与“物”的意义容积不对等,语义无法涵括事物,词语阐释效力减弱,原有的确定性亦随之消失。这使得词语的活力与自述能力被最大程度地激发出来,意义走向变得繁复多元,同时亦势必加大写作的难度,造成了理解的难题。Semantic invalidation is one of the ideographic methods of poetry in the 1990s.Based on the more essential cognition of language,poets are keen to show the process of poetry,emphasizing the“generativeness”of thinking and poetry,the result of which is that the meanings of“words”and“things”are not equal in volume,since the meaning cannot cover the thing,the explanatory power of words is weakened,and the original certainty also disappears.This stimulates the vitality and self-narrative ability of the words to the maximum extent,and the meaning becomes complex and diverse.At the same time,it is bound to increase the difficulty of writing,resulting in problems of understanding.

关 键 词：20世纪90年代诗歌 表意方式 语义无效 

分 类 号：I207.25[文学—中国文学]