海明威短篇小说《印第安营地》中的感官叙事  

Sensory Narrative in Ernest Hemingway sIndian Camp

作　　者：朱惠芝 ZHU Huizhi(Nanchang Normal University,Nanchang 330032,China)

机构地区：[1]南昌师范学院,江西南昌330032

出　　处：《南昌师范学院学报》2022年第5期106-112,共7页Journal of Nanchang Normal University

基　　金：2022年江西省社会学科基金项目“海明威短篇小说中的听觉叙事研究”(22WX26)。

摘　　要：海明威的文字诉诸读者的各种感官,以达到烘托人物、推动情节、制造悬念等功效。海明威短篇小说中的听觉叙事包括“因听而思”和“不听而想”,分为“人物之听”和“读者之听”两种类型;视觉叙事可以分为“看有所思”和“不看而想”两种,作用于读者之维、人物之维和读者/人物之维,聚焦于“所看”进而产生“所思”与联想。嗅觉叙事和触觉叙事在听觉和视觉叙事的前期铺垫下,起到了将故事情节推向高潮、对小说主题画龙点睛的作用。故事中的感官叙事以线性方式有逻辑地铺陈开来,相互协调,共同构成了一个有机整体:听觉叙事用以提供暗示并制造悬念,视觉叙事用以推动情节发展,深化悬念,嗅觉叙事将故事推向高潮,触觉叙事则在达到高潮的同时点明主题。Hemingway s writing appeals to readers senses to heighten characters,promote plots and create suspense.Auditory narration in Hemingway s short stories includes“thinking for hearing”and“thinking without listening”,which can be divided into two types:“characters listening”and“readers listening”.Visual narration can be divided into“seeing and thinking”and“thinking without seeing”,which acts on the dimension of readers,characters and readers/characters,focusing on“seeing”and producing“thinking”and association.Olfactory narration and tactile narration play the role of bringing the story to a climax and achieving the theme of the novel under the foundation of auditory and visual narration.Story in the narrative in a linear fashion sense logically is amassed,coordinate with each other,together to be the whole:hearing narratives give cues and create suspense;visual narratives promote the development of the plot,deepen the suspense;Olfactory narration pushes the story to its climax and tactile narration points out the theme when the story reaches its climax.

关 键 词：海明威 《印第安营地》 感官叙事 

分 类 号：I712.074[文学—其他各国文学]