论云南少数民族题材电影的发展及存在问题  

The Development and Major Problems of Ethnic Groups’Movies in Yunnan

作　　者：张婷[1] ZHANG Ting(School of Fine Aks,Qujing Normal University,Qujing Yunnan 655011,P.R.China)

机构地区：[1]曲靖师范学院美术学院,云南曲靖655011

出　　处：《曲靖师范学院学报》2022年第5期119-123,共5页Journal of Qujing Normal University

基　　金：云南省教育厅科学研究基金项目“云南少数民族电影的民族意识与审美特色研究”(2018JS440)。

摘　　要：从创作角度看,云南少数民族题材电影出现早、发展快,新中国刚刚成立就形成了令人瞩目的成就,近年来将民族与时尚、传统与时代、文化与审美融入影片,取得了较好成绩。从传播情况看,电影传播事业不断发展,为云南少数民族电影的发展奠定了良好基础,使其不断得到云南少数民族同胞认可。但由于创作囿于传统思路,习惯用“他者”的眼光来审视少数民族生活,对少数民族生活价值和内在意义理解不深、表现不够,许多影片未能从多层面塑造人物,创造出栩栩如生的银幕形象。From the perspective of creation,Yunnan movies about ethnic groups in Yunnan emerged early and developed quickly,made remarkable achievements just after the founding of New China,and in recent years they have made better achievements by integrating ethnicity and fashion,tradition and times,culture and aesthetics into films.In terms of dissemination,the continuous development of film dissemination has laid a good foundation for the development of movies about ethnic groups’in Yunnan,making them continuously recognized by fellow ethnic groups in Yunnan.However,due to the traditional way of thinking and the habit of looking at life of ethnic groups through the eyes of the"other",many movies failed to understand the value and intrinsic meaning of their life,and do not show enough of it,so many of them failed to create characters from multiple levels and create vivid images on screen.

关 键 词：影视艺术 云南少数民族题材 发展 问题 

分 类 号：J904[艺术—电影电视艺术]