莫言与“红高粱作家群”  

Mo Yan and the Group of“Red Sorghum”Writers

作　　者：史建国 Shi Jianguo

机构地区：[1]山东大学文学院

出　　处：《文学与文化》2022年第3期74-83,共10页Literature and Culture Studies

基　　金：国家社科基金重大项目“百年中国乡土小说与乡村文化变迁的关系、启示研究及文献整理”(19ZDA273);“山东大学未来计划学者项目”(2017)阶段性成果。

摘　　要：近年来,莫言故乡出现的“红高粱作家群”吸引了学界越来越多的关注。莫言与这一作家群落的形成有着密不可分的关系,这其中既有文学创作方面切实的指导点拨、奖掖鼓励,更有作为“身边榜样”所起到的巨大示范性效应。但同其他小区域作家群一样,红高粱作家群要想真正在创作方面取得突破,就必须警惕地方主义的局限。In recent years,the group“Red Sorghum”writers at Mo Yan’s hometown have attracted increasing attention from academia of many small regional writers.Mo Yan has a close relationship with the formation of this writer community,which not only has the practical guidance and encouragement in literary creation,but also has a huge demonstration effect as a“role model around”.But like other small regional writers,Red Sorghum writers must be alert to the limitations of localism if they want to truly become a foothold in the history of literature.

关 键 词：莫言 “红高粱作家群” 小区域作家群 文学社会学 

分 类 号：I206.7[文学—中国文学]