多重隐喻·现代主义·人性救赎——论《四象》的美学突围  

Multiple Metaphors,Modernism and Humanity Redemption——On Aesthetic Breakthroughs of Four Images

作　　者：张宇 ZHANG Yu

机构地区：[1]华南师范大学文学院,广州510006

出　　处：《北华大学学报（社会科学版）》2022年第3期107-113,154,共8页Journal of Beihua University(Social Sciences)

基　　金：国家社会科学基金重点项目“中国新文学学术史研究”(20AZW015)的阶段性研究成果。

摘　　要：梁鸿在《四象》中进行了集中美学的突围,彰显出迥异于以往作品的新质,体现了作家在美学上的有意努力和重要突破。梁鸿精心选取了“四象”这一复杂的象征系统,包含了多重象征意蕴。在叙事上,现代主义技巧的融入,使作品充分扩容,具备广阔的美学延展性,大大拓展了现实主义的边界。在主题上,梁鸿深入现代人的心灵结构、人性暗角,以哲学、秩序探讨人类的救赎可能,并以爱作为摆脱群体困境的最终出路。In the novel Four Images,Liang Hong makes obvious breakthroughs in many aspects,showing a new quality different from her previous ones,and reflecting the writer’s intentional efforts in aesthetics.Liang Hong carefully selects the complex symbolic system of “four images”,which contains multiple symbolic meanings. In terms of narration,modernism techniques enriches its contents,broadens aesthetic ductility,and greatly expands the boundaries of realism. On the theme,Liang Hong goes deep into the spiritual structure,the belief composition and the dark corners of human nature of modern people,discusses the possibility of human redemption,and takes love as the ultimate alternative to get human beings out of the plight.

关 键 词：《四象》 多重隐喻 现代主义 人性救赎 

分 类 号：I207.425[文学—中国文学]