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作 者:苗菁菁 Miao Jingjing
机构地区:[1]中央美术学院中国画学院
出 处:《美术》2022年第10期70-72,共3页Art Magazine
摘 要:当代中国水墨人物画的发展在受到表现主义影响后生发出了新的绘画语言,其中不同年代的女性画家形成了各自独特的表现性风格,她们的艺术风格转变包含了对时代面貌的认识和笔墨建构,体现出她们的独立人格与文化品格,在中国现代艺术浪潮中产生了一定影响。本文梳理了20世纪20年代至90年代间多位女性画家的代表性作品,在作品的阐释分析中寻找可借鉴的表现元素和规律性认识,从而更好地看清新的创作技法和材料应用的未来发展趋势,为中国笔墨语言的新时代表达提供参考。The influence of expressionism gave rise to new painting languages for ink figure paintings in contemporary China.In this process,female artists of different periods developed their own expressionist styles,a change of style that demonstrated their painting patterns and understanding of the era and represented their independence and characters,which influenced modern art in China.This paper analyzes representative artworks created by many female artists during the 1920 s and the 1990 s to learn from their expressionist elements and draw inspirations from regular principles.In this way,we can better understand the trend of applying new techniques and materials and provide some thoughts for ink paintings in the new era.
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