20世纪上半叶中国艺术家在法国的基础训练  

Basic Training of Chinese Artists in France in the First Half of the 20th Century

作　　者：王涵 Wang Han

机构地区：[1]清华大学美术学院

出　　处：《美术》2022年第10期73-80,共8页Art Magazine

摘　　要：对20世纪留法艺术先驱们基础学习过程的研究,可促使我们更加全面地认识他们艺术创新上的可贵,并在强调观念创作的今天,重燃我们对夯实基础的热情与信心。本文以巴黎国立高等美术学院档案、研习宫和小奥古斯丹堂照片以及留法艺术家素描写生作品、文章为基础,解析20世纪留法艺术家如何进入美院学习,他们的艺术基本功训练内容是什么,进而探讨他们如何学习、如何将西方古典艺术中的精髓与中国传统艺术文脉结合,并阐述其中从吸收到融汇直至创新的过程。Research into the basic learning process of pioneering Chinese artists in France in the 20 th Century helps us better understand their precious efforts in art creation and rekindles our passion for and confidence in enhancing basic techniques in today’s world that emphasizes perception creation.This paper,based on archives and le Palais des etudes of Ecole Nationale Superieure des Beaux-Arts and sketches and articles of these artists,analyzes how these artists studied in the famous Ecole des Beaux-Arts and their trainings of basic art techniques,to discuss their way of learning and fusing the essence of classical western art and traditional Chinese art,in particular the process of absorption,fusion and innovation.

关 键 词：留法艺术家 巴黎国立高等美术学院 林风眠 吴作人 徐悲鸿 

分 类 号：J209[艺术—美术]