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作 者:张超[1] Zhang Chao
机构地区:[1]成都大学
出 处:《美术》2022年第10期139-140,共2页Art Magazine
摘 要:诗与画,一个是以抽象文字为载体的间接造境,一个是由绘画语言的直观造境。人物小品画在艺术语言和表现形式上与诗具有很多的相似性,二者都以意象作为情感表达的载体,同时也注重艺术家真情实感的主观表达。从“诗”的角度探究人物小品画的文化内涵和绘画特征,对于研究人物小品画的内在精神是十分必要的。本文通过对人物小品画中诗的意象构成研究,旨在揭示诗与画意象中所蕴藏的文学性和艺术性。Poems indirectly create an environment with abstract characters,whereas paintings directly create an environment with images.Small-scale figure paintings bear many similarities with poems in terms of artistic language and forms of expression,as both of them express feelings with images and emphasize the subjective expression of artists’true feelings.This means it is necessary to explore inner spirits of small-scale figure paintings by studying their cultural connotations and painting characteristics from the perspective of"poem".Through the research of poetic images in such paintings,this paper reveals the literariness and artistic features behind images of poems and paintings.
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