民间回归与生命“晚熟”——从《檀香刑》到《晚熟的人》  

On Folk Return and Late Maturity of Life——Cases Study of Sandalwood Death and A Late Bloomer

作　　者：隋岩娜 陈佳冀 SUI Yan-na;CHEN Jia-ji(College of Humanities,Jiangnan University,Wuxi 214122,China)

机构地区：[1]江南大学人文学院,江苏无锡214122

出　　处：《遵义师范学院学报》2022年第5期50-54,共5页Journal of Zunyi Normal University

基　　金：国家社会科学基金重大招标项目“世界性与本土性交汇:莫言文学道路与中国文学的变革研究”(13&ZD122)。

摘　　要：莫言追求民间写作立场是一个有意识的过程,是在遍历时代浮沉、思考百态人生后的回望,也是文学“当代性”精神高度的展现。从《檀香刑》到新作《晚熟的人》,莫言开启了新的“叛逆”模式,深度呈现了作家获奖后面临的心理矛盾与视域困境。莫言带着深厚的民间情感和非凡的审美创造力,描绘了时代动荡中的人性冷暖与生命律动,审视着古老与现代文明冲击中的乡村发展体系与伦理道德关系,赋予了生命与生活全新的“晚熟”内涵,反映了一种倔强的文化态度,也照亮了民间立场回归的一条新道路。Mo Yan’s pursuit of folk writing position is a conscious process, which is a reflection of the ups and downs of the times and the accumulation of life. It is also a manifestation of the“contemporary”spirit of literature. From Sandalwood Death to the new novel A Late Bloomer, Mo Yan opened a new“treason”mode, which deeply presented the psychological contradictions and vision dilemma faced by writers after winning the prize. With profound folk emotion and extraordinary aesthetic creativity, Mo Yan described the human nature and life rhythm in the turbulent times, examined the rural development system and ethical and moral relations under the impact of ancient and modern civilization, endowed life and life with a new connotation of“late maturity”, reflected a stubborn cultural attitude,and also lit up a new road for the return of folk positions.

关 键 词：莫言 《晚熟的人》 民间立场 “晚熟” 

分 类 号：I206.7[文学—中国文学]