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作 者:曹学莉 李向伟[2] CAO Xueli;LI Xiangwei(School of Humanities and Arts,Lu'an Vocational and Technical College,Luzan 237158,China;School of Fine Arts,Nanjing Normal University,Nanjing 210023,China)
机构地区:[1]六安职业技术学院人文艺术学院,安徽六安237158 [2]南京师范大学美术学院,江苏南京210023
出 处:《宿州学院学报》2022年第10期53-56,84,共5页Journal of Suzhou University
基 金:安徽省教育厅高校优秀拔尖人才培育资助项目(gxgnfx2020064);安徽高校人文社会科学研究重点项目(SK2021A0945)。
摘 要:在《艺术作品的本源》中,海德格尔为建构梵高的《一双鞋子》关于艺术作品的真理性的理论话语,援引了诸多案例。为了厘清艺术作品的阐释方式,着眼于梵高鞋子的几种论争,从批评-阐释与理论建构两种不同的依据,分析看待作品方式的区别以及阐释目的,引发对“一双鞋子”(艺术作品)的解释,是批评-阐释式的,还是海德格尔的理论建构式的。关于艺术作品,前者往往从第一个层面将其作为批评-阐释的对象,后者以其为例来完善自身的理论话语,提出海德格尔的做法虽然从批评-阐释的角度存在强制阐释的风险,但是从理论话语建构的维度来说是合法且合理的,进而生成出海德格尔理论建构新的解读和价值。In The Origin of Works of Art,Heidegger presented many references in order to build up theoretical discourse on the truth of works of art reflected by A Pair of Shoes of Van Gogh.To clarify the method of interpreting works of art,focusing on the several arguments of A Pair of Shoes,from the two different bases of criticism and interpretation and theory construction,this paper analyzes the differences in the way of understanding works and the purpose of interpretation which leads to the interpretation of A pair of shoes(works of art),whether it is critical and interpretive or Heidegger′s theoretical construction.Although Heidegger′s approach has the risk of forcing interpretation from the perspective of criticism and interpretation.As to the works of art,the former often takes it as the object of criticism and interpretation from the first level,while the latter uses it as an example to perfect their theoretical discourse.Although Heidegger′s approach has the risk of coercive interpretation from the perspective of criticism and interpretation,it is legal and reasonable from the dimension of theoretical discourse construction.A new interpretation and value of Heidegger′s theoretical construction is generated.
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