兴化府城隍庙象首纹角叶渊源考辩  

A study on the origin of the elephant-head-pattern corner hangings at Chenghuang Temple in Xinghua Prefecture

作　　者：牛佳伟 汪晓东[1] NIU Jiawei;WANG Xiaodong(College of Arts&Design,Jimei University,Xiamen 361021,China)

机构地区：[1]集美大学美术与设计学院,福建厦门361021

出　　处：《福建工程学院学报》2022年第5期492-498,共7页Journal of Fujian University of Technology

基　　金：2021年福建省社会科学基金项目(FJ2021B177)。

摘　　要：兴化府城隍庙角叶使用了独特的象首纹进行装饰。作为传统祥瑞体系的重要部分,象纹在中国纹饰中占据着独特地位。古代青铜器常以象首作为器身装饰,汉代佛教的传入加深了中国本土对于象的崇拜,民间传统中也有以象为核心的符号体系,海上丝绸之路也促进了象图像的传播。基于区域范围内民间信仰的局限并综合以上因素可以推测,兴化府城隍庙象首纹角叶是佛教等多元宗教、民间传统乃至青铜礼器艺术等因素共同影响下的产物。The corner hangings of Chenghuang Temple in Xinghua Prefecture were decorated with unique elephant-head patterns. As an important element of the traditional auspicious system, elephant patterns occupy a vital position in Chinese decorative patterns. Ancient bronzes were often decorated with elephant heads. The introduction of Buddhism in the Han Dynasty deepened Chinese people’s worship of elephants. There was a symbol system with elephants as the core in folk traditions. Moreover, the Maritime Silk Road also facilitated the spread of elephant images. Based on the limitations of folk beliefs in the region and the above factors, it can be speculated that the corner hangings with the elephant-head pattern of the Chenghuang Temple in Xinghua Prefecture was the product of the comprehensive influence of various factors such as Buddhism, folk traditions and even bronze ritual arts.

关 键 词：兴化府城隍庙 象首纹 角叶 

分 类 号：J59[艺术—艺术设计]