一个叙事通例的旅行:敦煌出土世俗叙事文学的帝王形象及其文学史意义  

A Journey of a Narrative Convention:Images of Emperors in Secular Narrative Literature Unearthed in Dunhuang and Their Significance in Literary History

作　　者：邵小龙 SHAO Xiao-long(College of Liberal Arts,Shanghai University,Shanghai 200444,China)

机构地区：[1]上海大学文学院,上海200444

出　　处：《宝鸡文理学院学报（社会科学版）》2022年第5期112-117,136,共7页Journal of Baoji University of Arts and Sciences：Social Science Edition

基　　金：国家社会科学基金重大项目:5-11世纪中国文学写本整理、编年与综合研究(项目编号:16ZDA175)。

摘　　要：敦煌藏经洞发现的世俗变文、话本、词文、俗赋、小说等世俗叙事文学中,共出现了近三十位帝王形象。这些帝王形象可以分为尚仁好善、严于治民、重情重义重孝、善待贤才僧道及好色昏暴狡诈五种类型。许多帝王形象可归入其中一类,也有帝王兼具几个类型的特征。《汉将王陵变》《王昭君变文》《韩擒虎话本》和《叶净能诗》的结尾,都体现出帝王对作品中主要人物的祭吊或怀念。结合唐五代以来的通俗叙事文学,可以发现在许多作品中,帝王不仅在作品结尾有重要作用,甚至在作品的开端对故事的发展也有重要作用。There are nearly thirty images of emperors in the secular narrative literature found in Dunhuang caves.They can be divided into five types,mainly contain kind-hearted emperors,strict emperors,emperors who attached importance to emotion or filial piety,emperors who were kind to the sages and monks,and emperors who were lustful,senseless and cruel.Many images of emperors fall into one of these categories,and some have characteristics of several types.The endings of“Story of Han Generals Wangling”,“Story of Wang Zhaojun”,“Story of Hanqinhu”and“Poems of Ye Jingneng”all reflect the emperors’mourning for the main characters in the works.Combining the popular narrative literature since the Tang and Five Dynasties,it can be found that in many works,the emperors not only play important roles at the end of the works,but also play important roles in the development of the stories at the beginning of the works.

关 键 词：敦煌 叙事文学 体例 帝王 文学史 

分 类 号：I206.2[文学—中国文学]