里希特基于照片的绘画语言研究  

A Research of Richter’s Painting Language Based on Photos

作　　者：张广军 汪通 ZHANG Guang-jun;WANG Tong(School of Art,North China University of Technology,Tangshan 063200,China)

机构地区：[1]华北理工大学艺术学院,河北唐山063200

出　　处：《唐山师范学院学报》2022年第5期157-160,共4页Journal of Tangshan Normal University

摘　　要：格哈德·里希特照片绘画的题材主要是人物事件、静物风景两大类别。其绘画广泛运用了模糊性的艺术语言,同时灰色单色调在照片绘画作品中占绝大比重,表现技法是大实大虚、极致的细腻和极致的粗糙的完美结合。里希特的照片绘画影响着中国当代艺术家,张晓刚等当代画家学习他的绘画技巧及风格,形成了自己的艺术特色。The subjects of Gerhard Richter’s photo paintings are mainly character events and still life scenery. His painting widely uses fuzzy artistic language. At the same time, the gray monochrome tone accounts for a large proportion in his photo paintings.In terms of performance techniques, it is a perfect combination of ambiguity and clearness of the picture, and also a perfect combination of extreme delicacy and extreme roughness. Richter’s photo paintings have influenced contemporary Chinese artists.Zhang Xiaogang and other contemporary painters learned his painting skills and style and formed their own artistic characteristics.

关 键 词：格哈德·里希特 照片绘画 架上绘画 图像绘画 

分 类 号：J205[艺术—美术]