新锐设计师的长成——以井野将之,Thebe Magugu,Nensi Dojaka为例  

The Growth Analysis of the Emerging Designers:Taking Masayuki Ino,Thebe Magugu,and Nensi Dojakaas Examples

作　　者：鲁梦霞 LU Mengxia(Tongmyong University Design School,Busan 48531,Korea)

机构地区：[1]韩国东明大学设计学院,韩国釜山48531

出　　处：《西部皮革》2022年第21期44-47,共4页West Leather

摘　　要：全球年轻化市场的加剧发展,新锐设计师迎来了发展机遇,新锐设计师品牌应势而生,并逐渐走进了大众的视线。文章以LVMH青年设计师大奖赛中获奖的三位新锐设计师为研究对象,结合三名新锐设计师的成长背景和设计特点,分析其成长规律和表现出的时代特征。研究发现,新锐设计师的成长受到广泛的认知体系、母国文化的影响和丰富的设计经验等内在自身因素和国际化教育、异国文化关注度提升、互联网的推进力等外部环境因素两方面的共同作用;并总结出Z世代个性化消费心理、女性主义回潮、文化思潮的多元化等时代特征。With the intensified development of the global young market,emerging designer ushered in the development opportunities,and emerging designer brands were also born in response to the situation,and gradually came into the attention of the public.Taking the three emerging designers in the LVMH young Designer Grand Prix as the research objects,combined with the growth background and design characteristics of the three emerging designers,This paper analyzes their growth rules and the characteristics of the times.It is found that that the growth of the three emerging designers is affected by internal factors such as extensive cognitive system,home country culture and rich design experience,as well as external environmental factors such as international education,increasing attention to foreign cultures,and the driving force of the Internet.It also summarizes the characteristics of the times,such as the personalized consumption psychology of Generation Z,the resurgence of feminism,and the diversification of cultural trends.

关 键 词：新锐设计师 新锐设计师品牌 时代特征 

分 类 号：TS941[轻工技术与工程—服装设计与工程]