《乐章集》钗意象探析  

Analysis on the Image of Hairpin in Liu Yong s Collected Melodies

作　　者：孙慧婷 曹丽芳[1] SUN Hui-ting;CAO Li-fang(School of Chinese Language and Literature,Liaoning Normal University,Dalian 116082,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116082

出　　处：《黑龙江教师发展学院学报》2022年第11期126-128,共3页Journal of Heilongjiang Institute of Teacher Development

摘　　要：在中国古代文学作品中,“钗”的身影随处可见,发钗作为一种女性专属的饰品,在诗词的表现中往往与女性息息相关。柳永作为婉约派代表人物,他的词集中充斥大量女性元素。基于此,通过对“钗”这一意象进行探析,总结钗意象的流变,认为全宋词中钗意象用于指代女性群体、展现宋词中的古典美、委婉地表达情色和烘托词作整体氛围,而且与诗歌主旨密切相关。In ancient Chinese literature works,the hairpin can be seen everywhere.As a kind of female exclusive ornament,hairpin is often closely related to women in the expression of poetry.As a representation of Wanyue,Liu Yong s poems are filled with a large number of female elements.Through the analysis of the hairpin image,this paper summarizes the evolution of the image of hairpin.The hairpin image refers to the female group in Song Ci,shows the classical beauty in Song Ci,euphemizes the expression of eroticism and sets off the overall atmosphere in Song Ci,and is closely related to the theme of poetry.

关 键 词：发钗 意象 《乐章集》 柳永 文化内涵 

分 类 号：I207.23[文学—中国文学]