中越两国筝艺术的比较与互鉴  

Comparison and Mutual Learning of the Zheng Art between China and Vietnam

作　　者：韦铀[1] 庞晓 Wei You;Pang Xiao(Guangxi University of Arts;School of Humanities of Guangxi University of Arts,Nanning,Guangxi,530021)

机构地区：[1]广西艺术学院,广西南宁530021 [2]广西艺术学院人文学院

出　　处：《民族艺术研究》2022年第5期41-50,共10页Ethnic Art Studies

基　　金：广西文艺评论基地研究成果;“青年八桂学者”项目“广西民族艺术资源保护传承与创造性转化研究”;广西艺术学院2021年硕士研究生教育创新项目“比较艺术学视野下中越‘筝’艺术研究”(项目批准号:2021XJ124)资助

摘　　要：从中国和越南两国筝艺术的类同当中可以看出两国历史上文化交流的深刻与频繁,从各自的差异当中又可以看到不同地域和民族为筝艺术的多样性发展所做的创造性努力。中越两国的筝艺术既有古代琴、瑟、筑、筝共鸣的相似发展历程和近现代多元融合后在形制构造、演奏表现和创作方式等方面的类同,也在定弦习惯、审美偏好、东西方音乐融合运用上各有千秋。中越两国应在文明互鉴理念下加强合作,共同推动筝艺术在世界上的创新发展。It can be seen from the similarities of the Zheng art between China and Vietnam that the cultural exchange was deep and frequent between the two countries during ancient history.Nevertheless,the diversified development and effort for the Zheng art in different areas and ethnic groups can also be seen in the differences between the two countries.The Zheng art in China and Vietnam experienced similar development,which can be seen in the similarities of Qin,Se,Zhu and Zheng,as well as the integration in terms of structure,performing expression and creation in the modern period.There are nevertheless differences between the two countries,which can be seen from the habit of string tunning,aesthetic preference and the integration of Eastern and Western styles.China and Vietnam,therefore,should enhance cooperation,with the idea of mutual learning of civilization,so as to promote the innovative development of Zheng art in the world.

关 键 词：中国筝 越南筝 比较 互鉴 

分 类 号：J607[艺术—音乐]