云南现代话剧的“空间”与“造型”研究  

The Study of “Space” and “Modelling” in Modern Yunnan Drama

作　　者：吴侠[1] Wu Xia(Department of Stage Design of the Central Academy of Drama,Central Academy of Drama,Beijing,100710)

机构地区：[1]中央戏剧学院舞台美术系,北京100710

出　　处：《民族艺术研究》2022年第5期56-69,共14页Ethnic Art Studies

基　　金：国家社科基金艺术学一般项目“云南话剧百年”(项目批准号:2021BB00260)的阶段性研究成果。

摘　　要：在云南现代话剧的发生和发展历程中,其舞台空间和物质造型的基本状貌形成大约经历了四个时期:“空间”自由与“造型”的实物“代用”时期,自由“空间”与随意简单的“造型”时期,礼堂、剧场空间与初期舞台美术“物造型”时期,现在正经历的戏剧演出专门空间与采用混合手段的舞台美术“物造型”时期。云南现代话剧从社会文化“空间”到舞台的物理“空间”,再到戏剧舞台呈现的“艺术空间”的历史发展轨迹,显现出舞台“空间”变化中的“物质造型”意识逐渐觉醒,并服务于剧目演出需要的艰苦努力。There are four periods of the development of modern Yunnan drama in regard to the basic situation of stage space and material modelling:the period of“space”freedom and the object“substitution”of the“modelling”;the period of free“space”and random simple“modelling”;period of auditorium,theatrical space and early stage fine art“modelling”,and the period of theatrical performance special space,and the mixed stage“modelling”which is happening now.The trajectories of the development of Yunnan drama,which developed from social cultural“space”to the physical“space”of stage,and to the“artistic space”of theatrical stage,displayed that the“material modelling”awareness is emerging in the change of the stage“space”and it serves for the endeavor of the performance of repertoire.

关 键 词：云南现代话剧 演出空间 造型意识 发展历程 

分 类 号：J824[艺术—戏剧戏曲]