意象与中国意象油画的文化意义  

Image and the Cultural Meanings of Chinese Imagery Oil Painting

作　　者：冯民生[1] Feng Minsheng(School of Fine Arts,Shaanxi Normal University,Xi’an,Shaanxi,710062)

机构地区：[1]陕西师范大学美术学院,陕西西安710062

出　　处：《民族艺术研究》2022年第5期92-98,共7页Ethnic Art Studies

基　　金：2020年国家社科基金后期资助暨优秀博士论文出版项目“陕西油画史”(项目批准号:20FYSB029);2020年陕西省社科基金项目“改革开放以来全国性展览中的陕西油画研究”(项目批准号:2020J050)的阶段性研究成果。

摘　　要：在新时代文化强国的时代背景下,意象油画这一话题又成为新的热点。关于意象油画问题的探讨,有学者认为这是一个假命题,它不是中国油画的特殊问题,并会与“油画民族化”联系起来;但当代从事油画的实践者普遍认为关于意象油画的问题既是关乎中国油画的实践问题,也是关乎中国油画的理论问题,值得探讨与研究。意象作为中国艺术的审美范畴,既是其风格特征,也是其艺术表现的方法,在中西艺术融合的语境中,中国油画实践必然受其影响。自诞生以来,意象油画日渐成为一种民族风格特征显著的绘画,也成为中国油画及其文化身份的明证。In the background of the country of strong culture in the new era,imagery oil painting has become a new hot topic.Some scholars,nevertheless,thought the discussion on imagery oil painting is a false statement because it is not a special issue in Chinese oil painting and it will connect with“nationalization of oil painting”.However,contemporary painters generally regard that the issues of imagery oil painting are related to not only the practical issue of Chinese oil painting but also theoretical issues of Chinese oil painting so that discussion is needed.Image,as an aesthetic issue in Chinese art,is both a characteristic of style and a method in artistic expression,so that the practice of Chinese oil painting will be affected in the context of the artistic integration of the Western and Chinese art.Since its birth,imagery oil painting has become a genre of painting with unique national characteristics so that it has also become evidence of Chinese oil painting and its cultural identity.

关 键 词：意象油画 民族风格 艺术方法论 文化意义 

分 类 号：J201[艺术—美术]