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作 者:于平[1] 黄丹 Yu Ping;Huang Dan(Nanjing University of the Arts,Nanjing,Jiangsu,210013;Guilin University,Guilin,Guangxi,541006)
机构地区:[1]南京艺术学院舞蹈学院,江苏南京210013 [2]广西桂林学院,广西桂林541006
出 处:《民族艺术研究》2022年第5期111-119,共9页Ethnic Art Studies
基 金:国家社科基金艺术学重大项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949-2019)”(项目批准号:19ZD17)的阶段性研究成果。
摘 要:由荣获第十七届中国文化艺术政府奖“文华大奖”的舞蹈诗剧《只此青绿》切入,透过其将“青绿山水”进行“丽人化”表现的创编手法,梳理周莉亚、韩真此前创作的多部舞剧《沙湾往事》《杜甫》《花木兰》《永不消逝的电波》中的“丽人”情结,这一情结不仅是其舞剧形态构成的鲜明特征,而且是其舞剧形态创生的内在动力。“丽人”情结在舞剧中的合理性,一是强化舞剧主要人物的性格特征并营造其出场的典型环境;二是替舞剧主要人物代言,吐露其心声、舒展其蓄积;三是为了调适舞剧的叙事方式和观赏效果;四是周莉亚、韩真独到的“合理”创编,这就是舞蹈诗剧《只此青绿》中“青绿山水”的“丽人化”——用人、甚或是丽人去“活化”某种物象,由此充实舞蹈诗剧的“戏剧”内涵。With the case of the poetic dance drama The Journey of a Legendary Landscape Painting,which was granted the 17^(th) government“Wenhua Prize”of Chinese culture and art,this paper studied the creation method of“beautification”in the“blue and green landscape”so as to analyze the emotion of“beauty”in several dance dramas edited by Zhou Liya and Han Zhen,such as The Past of Shawan,Du Fu,Hua Mulan,and The Eternal Wave.The emotion of“beauty”is not only a vivid characteristic of the dance morphosis but also the inner driving force in the creation of dance drama morphosis.The appropriateness of the emotion of“beauty”in dance drama can be seen from several aspects.Firstly,it reinforces the character of the leading figures and makes typical context of their appearance.Secondly,it speaks for the leading figures and helps express their ideas and thoughts.Thirdly,it moderates the narration and viewing effect of dance drama.Finally,it represents unique“appropriate”adaption by Zhou Liya and Han Zhen in the poetic dance drama The Journey of a Legendary Landscape Painting.The“beautification”of“blue and green landscape”in the poetic dance drama The Journey of a Legendary Landscape Painting is a way to“activate”a certain matter and enhance the“theatrical”connotation of poetic dance drama through the use of people or beauty.
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