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机构地区:[1]济南大学美术学院
出 处:《创意与设计》2022年第5期94-98,共5页Creation and Design
摘 要:从造物角度重新思考“人剑合一”的理论核心,认为“人剑合一”剑的范围可以提升到兵器乃至造物的层面,以“人器合一”来理解匠者的造物智慧。通过对人的致用需求和精神需求思考,探讨了兵器外貌上的造型比例与人身体条件上和使用环境上的合,以及兵器意涵语言与人神权观念、性情内涵、文娱观念的合;进一步思考了“人器合一”思想对于现代设计的启示,探索器与人合的核心在于合手、合时以及合意,认为“人器合一”虽然是一个极为苛刻的成器要求,却也应该是当代设计师不断追求的造物目标之一。This paper rethinks the theoretical core of“The unity of man and sword”from the angle of creation,suggests the scope of the sword of“The unity of man and sword”can be raised to the level of weapon and even creation,illustrates the artisan's creation wisdom by“The unity of man and artifact”.By considering the practical and spiritual needs of human beings,this paper probes into the combination of the shape proportion of the weapon appearance,the human body condition and the using environment,as well as the combination of weapon language and the concept of human theocracy,temperament content,entertainment concept.This paper further considers the inspiration of the thought of“The unity of human and artifact”to modern design,and states that the core of the unity of man and artifact lies in the agreement of hands,time and agreement.The unity of man and artifact should be one of the creation goal that contemporary designers continually pursue.
分 类 号:TJ28[兵器科学与技术—武器系统与运用工程]
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