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作 者:蒋燮[1] 班富宁 JIANG Xie;BAN Fu-ning
机构地区:[1]广西艺术学院音乐学院音乐学系,南宁530022 [2]广西艺术学院艺术研究院,南宁530022
出 处:《原生态民族文化学刊》2022年第6期137-152,156,共17页Journal of Ethnic Culture
基 金:广西哲学社会科学规划研究课题“乡村振兴视域下广西客家礼俗音乐文化传承发展研究”(21BMZ001)。
摘 要:在中国的文化传统中,流域早已作为一种知识表述的基本范式,衍生出丰厚的生命经验与精神智慧。流域同样是阐释民歌的重要维度。21世纪以来,流域民歌研究呈现蓬勃发展态势,其中面向黄河、长江、淮河、京杭大运河四大流域的研究成果引人注目,并呈现由腹地走向边疆、由边疆走向跨界的新趋向。面向流域民歌的系统性学术梳理与实践作业,不仅能够揭示国家、社会、族群、个人等多元力量在流域内外生活中的运作机制,更是一种落到实地的对于生命和文化的真诚关注与理解。River basin,regarded as a basic paradigm of knowledge expression,has derived rich life experience and spiritual wisdom in Chinese cultural tradition,which is also an important dimension to interpret folk songs.Since the 21st century,the study of river basin folk songs has been developing actively,among which the research achievements of the Yellow River basin,the Yangtze River basin,the Huaihe River basin and the Beijing-Hangzhou Grand Canal basin have been remarkable.The research achievements also showed a new trend from hinterland to border areas and from border areas to cross-border areas.The systematic academic review and practical experience of folk songs in the river basin could not only reveal the operation mechanism of multiple power like country,society,ethnic group and individual inside or outside the river basin,but also be a sincere understanding of life and culture.
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