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作 者:崔晓琴 CUI Xiaoqin(School of Chinese Language and Literature,Xinjiang University,Urumqi 830046,China)
机构地区:[1]新疆大学中国语言文学学院,新疆乌鲁木齐830046
出 处:《四川职业技术学院学报》2022年第5期121-125,共5页Journal of Sichuan Vocational and Technical College
摘 要:童年阶段在个人的生命历程中占有重要地位,作家的童年经验是审美经验的基础,是形成创作动机的强大力量,众多现代作家童年经验的承载空间是故乡小城,小城生活经验作为童年经验的重要组成部分,常常作为创作的生活原型和故事素材,在心境与情感等因素的刺激下进入创作之中,这在一定程度上催生了新文学早期现代作家创作中的小城题材倾向以及小城文学中的怀乡主题,也为小城文学的发生、发展与成熟打下基础。The childhood stage occupies an important position in the personal life process.The childhood experience of the writer is the basis of the aesthetic experience and the power to form a creative motivation.Many modern writers childhood experience bearer space is the hometown.As an important part of childhood experience,small city life experience is often used as a creative prototype and story material.To some extent,it gave birth to the small-town theme tendency of early modern writers in new literature and the theme of nostalgia in small-town literature.It also laid the foundation for the occurrence,development and maturity of small-town literature.
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