传统文学原型与母题的现代演绎--论电影《喜盈门》的经典性  

Modern Interpretation of the Traditional literature Prototype and Motif——On classics of the film Xiyingmen

作　　者：阳海燕 唐红卫 Yang Haiyan;Tang Hongwei(College of Chinese Language and Literature,Hengyang Normal University,Hengyang Hunan 421002,China)

机构地区：[1]衡阳师范学院文学院,湖南衡阳421002

出　　处：《衡阳师范学院学报》2022年第5期116-121,共6页Journal of Hengyang Normal University

基　　金：湖南省教育厅科学研究项目“新时期以来农村题材电影荒原主题研究”(19C0284)。

摘　　要：电影《喜盈门》自问世以来久映不衰,获得了众多奖项,成为一部经典的中国农村题材电影。《喜盈门》一方面深入挖掘了智慧老人、地母、巧女/巧妇、悍妇、傻女婿、恶媒婆等文学原型,另一方面深入挖掘了好婆婆遇到恶媳妇、文丈夫娶了悍妻子、针尖对麦芒的姑嫂斗、才子佳人的现代置换、一善一恶的妯娌怨等故事母题。这些文学原型与母题的注入,极大地提高了影片的思想内涵和艺术水准,使得《喜盈门》这部影片在具有时代性的同时更具有了经典性。Since the movie Xiyingmen came out,it has won many awards and become a classic Chinese rural theme film.On the one hand,the prototype archetypes of the wise old man,the earth mother,the smart woman,the tough woman,the silly son-in-law and the evil matchmaker and so on are deeply explored,and on the other hand,the story motifs of a good mother-in-law met evil daughter-inlaw,a sven husband married a tough wife,needle-point to Maimang’s sisters-in-law fight,gifted scholars and beautiful ladies,enmity of sisters-in-law story motifs and so on are deeply explored.The injection of these literary archetypes and motifs has greatly improved the ideological connotation and artistic level of the film,making the this film more classic as well as contemporary.

关 键 词：原型 母题 经典 《喜盈门》 

分 类 号：J905[艺术—电影电视艺术]