从舞蹈的“形式意识”出发创造舞蹈的“形式韵味”--房进激舞蹈创作思想述评  

Create the "Formal Charm" of Dance from the "Formal Consciousness" of Dance

作　　者：于平[1] Yu Ping

机构地区：[1]南京艺术学院舞蹈学院,江苏南京210013

出　　处：《南京艺术学院学报（音乐与表演版）》2022年第4期166-176,I0005,共12页Journal of Nanjing Arts Institute:Music & Performance

基　　金：国家社科基金艺术学重大招标项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949-2019)”(项目编号:19ZD17)阶段性成果。

摘　　要：房进激是我国著名舞蹈编导,女子群舞《小溪·江河·大海》是他与夫人黄少淑联袂创编的代表性作品,这个作品所体现的创作理念也正是其创作思想的内核所在。他曾授业于苏联专家彼·安·古雪夫,铭记老师“(舞剧)所有情节都应该用舞蹈来表现”的名言;在自己日后的长期创编实践中,努力探求“芬芳的情调”和“美的流动”,营造出高雅、真纯、凝练而精美的“舞的韵味”。在此基础上,房进激形成了自己独特的创作思想,强调“意味是最能确切表达舞蹈形式及其内涵特征的字眼”,还强调“舞蹈就应有丰富的舞蹈形式及其变化的舞蹈本体意识”。房进激的舞蹈创作思想是源于切身实践、贴近舞蹈本体并具有实操价值的舞蹈创编学理。Fang Jinji is a famous dance choreographer in China. The female group dance "Little Stream, River, and the Sea" is a representative work created jointly by him and his wife Huang Shaoshu. The creative concept embodied in this work is also the core of his creative thought. He was once taught by the Soviet expert P. A. Gusev, remembering the teacher's famous saying that "all plots (of a dance drama) should be expressed by dance";In his long-term creation practice in the following years he endeavored to explore the "fragrant sentiment" and "flow of beauty" to create an elegant, pure,concise and exquisite "dance charm". On this basis, Fang Jinji formed his own unique creative ideas, emphasizing that "meaning is the word that can most accurately express the dance form and its connotation", and that "dance should have rich dance forms and their changing dance ontology consciousness". Fang Jinji's idea of dance creation is a theory of dancecreation that originates from personal practice, is close to the dance itself and has practical value.

关 键 词：房进激 《鱼美人》 《小溪·江河·大海》 舞蹈形式 舞蹈诗 舞蹈创作思想 

分 类 号：J703[艺术—舞蹈] J704