《女兵自传》与《时时刻刻》的女性主义言说  

Feminist discourse——from Autobiography of a Female Soldier and The Hours

作　　者：崔家欣 朱旭晨[1] CUI Jiaxin;ZHU Xuchen(School of Humanity and Law,Yanshan University,Qinhuangdao 066004,China)

机构地区：[1]燕山大学文法学院,河北秦皇岛066004

出　　处：《广东石油化工学院学报》2022年第5期39-42,共4页Journal of Guangdong University of Petrochemical Technology

摘　　要：《女兵自传》是中国第一位女兵作家谢冰莹的自传作品,自传记述了她从幼年到参加抗日战争的人生经历;由史蒂芬?戴德利执导改编的电影《时时刻刻》讲述了来自不同时空的三位女性的一天。两部作品均在女性主义视域下言说同样的主题——女性的觉醒和奋斗。四位女性从最初女性意识的觉醒,到走上“苦涩”的“行者”之路,在痛苦的挣扎中,叩问生命,最后到达了自己生命中的“灵山”。这正是打破规训,主体重塑以及自我实现的全过程。Autobiography of a Female Soldier is the autobiography of Xie Bingying,the first writer about female soldiers in China.The work is mainly about her experience from her childhood to participating in the War of Resistance against Japan.The film The Hours,directed by Stephen Dudley,tells a day of three women from different time and space.The two seemingly unrelated works are about the same theme:the awakening and struggle of women.To some extent,the four women are on the same path.From the awakening of the initial female consciousness to the“ascetics”,the four women all struggle in pain and make inquiries about life,and finally reach the spiritual destination in their own life.This is exactly the whole process of breaking the discipline,reshaping the subject and self realization.

关 键 词：《女兵自传》 《时时刻刻》 女性意识 主体重塑 自我实现 

分 类 号：I206.6[文学—中国文学] J975.4[艺术—电影电视艺术]