“床榻”:论《海上花列传》中的主题物与妓女书写  

"Bed" : on the Theme and Prostitute Writing in Sing-Song Girls of Shanghai

作　　者：冯伟 FENG Wei(School of Literature,Liaoning University,Shenyang Liaoning,110036)

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《山西大同大学学报（社会科学版）》2022年第5期74-79,84,共7页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：“床榻”泛指普遍意义上的床,包含床、榻、炕等。缘于《海上花列传》独特的题材指向性,“床榻”的出现频率在该书以妓女为中心的场景中尤为密集。通过考察“床榻”由现实进入文本所呈现的“文学映像”及空间聚焦,不难发现其已基本具备成为该书妓女书写主题物的条件,并在妓女形象的情欲化转型、妓女生活状态的“再现”及妓女命运轨迹的观照等三个方面发挥着重要作用。"Bed" generally refers to the bed in the general sense, including bed, couch, Kang, etc. Due to the unique theme orientation of The Sing-song Girls of Shanghai, the appearance rate of "bed" is particularly dense in the scenes centered on prostitutes in the book. By investigating the "literary image" and spatial focus presented by the "bed" from reality to the text, it is not difficult to find that it has basically met the conditions to become the theme of prostitutes in the book, and plays an important role in three aspects: the erotic transformation of prostitutes’ image, the "reproduction" of prostitutes’ life state and the observation of prostitutes’ fate track.

关 键 词：主题物 《海上花列传》 妓女书写 床榻 

分 类 号：I206[文学—中国文学]