浅析沈曾植行草书用笔特点  

A Brief Analysis of the Characteristics of Shen Zengzhi’s Cursive Script

作　　者：文津 WEN Jin(School of Fine Arts,Jinzhong University,Yuncheng Shanxi,030619)

机构地区：[1]晋中学院美术学院,山西晋中030619

出　　处：《山西大同大学学报（社会科学版）》2022年第5期120-123,共4页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：沈曾植身处碑、帖二元对立之际,他在书法实践中秉承“通古今以为变”,追究“异体同势、古今杂形”,有效的使碑、帖结合。在运笔方式上,他主张“转指”、“运腕”、“卧笔”。他以章草笔意嫁接行草书,其行草书中逆势、中侧锋互用、方圆兼施、波磔的使用为其作品加入生涩、险绝等碑派特征,创造出了生拙野逸、跌宕起伏、姿态万千的书法作品,做到了“古质”与“今妍”的统一。Shen Zengzhi lives in an age with the binary opposition between tablet and rubbing inscription. In his calligraphy practice, he adheres to the principle of“connecting the past with the present and thinking of change”, and investigates“allogeneic homomorphism, past and present hetermorphism”, thus effectively combining tablet and rubbing inscription. In the way of writing,he advocates“Zhuanzhi”,“Yunwan”and“Wobi”. He integrates brushwork of Zhangcao into his cursive script. In his cursive script,opposite trend, middle and side front, square and circle, and“bozhe”strokes are used alternately, which add the characteristics of tablet inscription, such as being crude and dangerous in his works, creating calligraphy works that are lively and wild, full of ups and downs, with thousands of postures in it, thus achieving the unity of“ancient quality”and“present beauty”.

关 键 词：沈曾植 行草书 逆势 波磔 

分 类 号：F590[经济管理—旅游管理]