基于现代审美意义的中国古典舞蹈艺术民族性探讨  

On National Style of Chinese Classical Dance Based on Modern Aesthetics

作　　者：王楠[1] WANG Nan(Department of Dance,Shenyang Conservatory of Music,Shenyang Liaoning,110043)

机构地区：[1]沈阳音乐学院舞蹈系,辽宁沈阳110043

出　　处：《山西大同大学学报（社会科学版）》2022年第5期139-142,共4页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：追溯中国古典舞蹈艺术,与中国古代宫廷舞蹈、远古民间舞蹈具有深刻渊源。中国古典舞蹈以其独特的艺术表现形式,通过舞蹈动作、身体语言展示虚灵的空间意象,赋予中国古典舞蹈艺术民族风范与内在品格。中国古典舞蹈是对中国传统文化的动态体现与直观表达。从现代审美视角,梳理中国古典舞蹈的发展历程,挖掘中国古典舞蹈的审美艺术特色,解读中国古典舞蹈的外在形态与民族风格韵致。中国古典舞蹈艺术,受中华传统文化、多民族舞蹈文化的交流与碰撞,展现出强大艺术生命力。民族性是中国古典舞蹈艺术的鲜明特色,中国传统文化与古典美学思想,成就中国古典舞蹈艺术刚柔兼济的审美表现。Tracing the Chinese classical dance art, it has a profound origin with the ancient Chinese court dance and the ancient folk dance. With its unique form of artistic expression, Chinese classical dance shows the virtual spatial image through dance movements and body language, and endows Chinese classical dance art with national style and inner character. Chinese classical dance is the dynamic embodiment and intuitive expression of Chinese traditional culture. From the perspective of modern aesthetics, the author reviews the development process of Chinese classical dance, excavates its aesthetic art characteristics, and interprets the external form and national style rhyme of it. Chinese classical dance art shows strong artistic vitality by the exchange and collision of traditional Chinese culture and multi-ethnic dance culture. Nationality is the distinctive feature of Chinese classical dance art. Chinese traditional culture and classical aesthetic thought make the aesthetic performance of Chinese classical dance art both rigid and soft.

关 键 词：中国古典舞蹈 现代审美 民族性 

分 类 号：J722.4[艺术—舞蹈]